EUROPE

EUROPE RADIO SPECIAL 2

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Thanks a lot to: Elisa, Stefania, Elena, Alessandro, Sara, Janky and Francesca, our official translaters!

 

EUROPE RADIO SPECIAL

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Europe Radio Special is in Italian language.

Here’s the translation in English.

 

5. SONG: WAKE UP CALL

 

(thanks to Elena for the translation)

 

Enzo: «Welcome back to ‘Flashed by’. We are going to spend the night together getting to know Europe and their music. I’m here with Sonia. [to Sonia] Dear Sonia, we have a Europe-addicted friend on the phone, calling from Massa Carrara. Alessandra!»

Sonia: «Hi Alessandra!»

Alessandra: «God evening everybody! A warm greeting to you Sonia and a big hi also to all the friends tuned to the radio tonight to listen to this program!».

 

Enzo: «How’s it going?»

Alessandra: «Very well, thank you».

 

Enzo [to Sonia and Alessandra]: «So you know each other. There is a certain synergy between you two girls, am I wrong?»

Alessandra: «Of course there is!».

 

Enzo: «You stay constantly in touch via mail, chat, forum etc., don’t you?»

Alessandra: «Sure, we are always in touch, especially in virtue of this all-pervasive passion we share, i.e. the same passion which got us to establish such a close friendship!».

 

Enzo: «How did your passion for Europe arise?».

Alessandra: «Well, it all began in 1987, and it happened just by chance, thanks to my mum who bought a magazine containing the splendid face of joey tempest pictured in one of its pages, and I immediately fell in love with him!».

 

Enzo: «And what happened then? Was your hearth throbbing?».

Alessandra: «Yes, definitively! I experienced every possible kind of feeling and emotional reaction, ranging from wild excitement to tears of joy…just by looking at his picture! Then I listened to the mythical song “The Final countdown”, and this is how my huge love for Europe sprang …and it’s not over yet…it will never end!».

 

Enzo: «Alessandra, listen, what’s your favourite Europe’s song?».

Alessandra: «I would surely answer “the final countdown”, as it was the song which made me fall in love with Europe and their music. But I generally like all their songs, since their music conveys strong emotions, a lot of joy…I would say their songs have a powerful emotional impact on us. And we should not overlook the deep significance of their lyrics. The lyrics composed by Joey are really meaningful, as many of my friends know well. They tell us something deep about real life, about events which might happen to all of us. They are the mirror of our lives, and it’s just amazing! I don’t know how else to say this».

 

Sonia: «Alessandra, I was just talking to Enzo about a nice anecdote concerning you. You have a very pretty tattoo representing Joey’s signature. Could you please tell us something about this?».

Alessandra: «It was not premeditated! It was just an idea which suddenly came up to my mind. As I am sure I’ll foster my passion for Europe for the rest of my life, I was thinking of doing something which could witness my indiscriminate love for them. I had the striking opportunity to meet them thanks to Annah and Laura, the twin sisters who are presidents of the Italian Europe supporters Club, who allowed me to take part in a “meet and greet” in Florence in March 2005».

 

Sonia: «I was there as well, but we didn’t have the opportunity to properly get to know each other on that occasion».

Alessandra: «Let’s say that when I found my hero before me (‘cause he’s my hero!), a genial insight came up to me. I asked him an autograph on my shoulder, and he was very kind to make it! That’s how this idea came about».

Enzo: «Could you possibly reconstruct the scene for all the people who are listening to us tonight?».

Alessandra: «At first Joey looked a bit staggered…he was probably expecting me to hand him a scrap of paper, so when I offered him my shoulder he burst into laughters!».

 

Enzo: «And what did you ask him?».

Alessandra: «Can you sign here please? And then he smiled. Actually, with hindsight I can say it wasn’t properly a smile. It looked more like a sneer, as though he meant to tell me: “why are you asking this to me? Are you mad or something?”. And he even bit his lips! The following day I rushed back home and I had his signature tattooed».

 

Sonia: «Great! You remember, Alessandra, we met again in Bardonecchia. Did you show your tattoo to Joey then?».

Alessandra: «Unfortunately I didn’t have this opportunity. It was actually very late, he came back to our hotel, but he looked extremely tired, and I didn’t want to pester him. I preferred not to intrude his privacy, I think it is very important not to do that.

 

Enzo: «Ok Alessandra, thanks very much indeed».

Alessandra: «Can I say hello to all the members of the ESC? Thank you to all of you! And remember that Europe are not over, they are rising again coming back from the main door!».


6. SONG: SUPERSTITIOUS

 

7. SONG: MORE THAN MEETS THE EYE

 

A guest star at phone: the musician Ego (thanks again to Elena for the translation)

 

Enzo: «Welcome back to ‘Flashed by’. Dear Sonia, I didn’t know there were so many Europe fans around, nor was I aware of the existence of such a big fan club in Italy counting so many members».

Sonia: «Absolutely. It’s a marvellous fan club, it’s the Europe Supporters Club founded by Annah and Laurah Costa, to which we send our best greetings».

 

Enzo: «We now have our friend Ego on the phone. Hello Ego!».

Ego: «Hello everybody. How’s it going?»

 

Enzo: «Are you enjoying this special on Europe? Is it going well? What do you think?»

Ego: «It’s going very well. And I couldn’t help taking part in this special, not least because Europe remind me of…..».

 

Enzo: «Your first flings?».

Ego: «No, no, I didn’t mean to say this…my memories linked to Europe bear upon the musical aspect of my life, and I’m going to explain why right now. I started listening to the music of this rock group and it turned as a great revelation to me. As I was accustomed to the music of particular groups like Led Zeppelin, Deep Purple and the Scorpions and realized that this kind of music was taking a path to extinction, I thought that maybe a new band was needed; I mean, a band capable of perpetuating that tradition by adopting a similar kind of sonority».

 

Sonia: «Ego, listen: which was the first Europe you enjoyed most?

Ego: «I was totally fulgurated by “Wings of tomorrow”, dating back to 1984».

 

Enzo: «Oh, so I’m starting to realize that you’ are not that young….».

Ego: «Oh, yes, I was 20 in 1984, now it’s 2005….so…just draw your conclusions!».

 

Enzo: «Well, we’d better call you “Uncle Ego”!»

Ego: «Of course! Uncle Ego! And this does nothing but confirm that Europe are a rock group who perpetuates itself through time. I mean, I’ve not dropped this kind of music and I also believe that even younger guys today (20/30 years old) are still drawing on this kind of sonority».

 

Enzo: «Ego, I’d like to ask you something. Europe went through two different phases: the first one is hard-rock, almost heavy metal, then there was a “commercial” phase who started in 1987 with the well-known “The Final Countdown”. What has changed in their music today?».

Ego: «I have to say I was positively impressed by their last album, which is a timeless album, it really has no temporal allocation, and it brings us back to the most authentic and rawest sonorities of worldwide hard-rock, so I’d say that, in this respect, we find great musical insights, both from a guitar perspective (I’m referring to John Norum), and also from a  compositional point of view».

 

Enzo: «Now, Europe came back to scenes with a new musical style, contravening the expectations of those who attached them a “commercial” label».

Sonia: «As a proof of this, even those Heavy-Metal fans who used to snub them, ’cause they viewed them as a pop-group, now have reconsidered them. Europe today occupy a prominent place in the scene of hard-rock music».

Ego: «I agree with you, given that, as I said before, they establish that continuity thread with the rock groups blooming in the seventies, with the Sacred Monsters of that time, as it were, and they are still able to renew that kind of music alongside big names who are still in action like the Deep Purple and the Scorpions. Well, I strongly believe they are the embodiment of pure hard rock, with their guitars and sonorities».

 

Enzo: «We’re talking about the genesis of music, after all».

Ego: «Sure, that from which all began, so to speak».

 

Enzo: «And let’s not forget the Black Sabbath!».  

Ego: «Of course. But I could mention many groups…the Black Sabbath, the Kiss. Well, the Kiss have actually leant towards a too glamorous, image-dependent direction».

 

Enzo: «It was on the 1978, it was then that this kind of music reached its peak, but even the Rolling Stones evolved towards a more commercial tendency, for instance with “I was meant for loving you baby”».

Ego: «Oh yes, you remember? [singing] ‘I was meant for loving you baby…..’. However, you see, the first Europe song I discovered was a purely instrumental melody. It was included in “Wings of Tomorrow”. At first I saw an eagle pictured on the cover of the record, and I though I had bought an ‘Americanish’ album, but it was the wrong impression, and I was also delighted to discover that even European groups like the Swedish Abba, as a pop-group, and the Scorpions - alongside Europe - prove that English language can be used in Europe, whereas in Italy we have a kind of sect, advocating the view that an Italian musician cannot sing songs in English, and my personal experience conveyed me this idea. As a musician I compose pieces in English and I will always compose them in English, so…long live international rock!

Sonia: «Great Ego!»

 

Enzo: «Perhaps it’s a matter of phonetic».

Ego: «Yes, on my view rock music is nourished by such a kind of sonority, phonetics and pronunciation. Take the case of Italian Melodram. If you go and listen to it you expect the lyric in Italian, and if you listen to a Spanish Lyric it’s going to sound a bit odd…So I think there are certain kinds of sonority associated to a specific kind of musical metric, but maybe we’re going too far away with this issue…. Well, all this is just to say that the fulguration which concerned me, my first approach to the music of Europe was thanks through an instrumental piece, called “Aphasia”, a Greek word which means “Without words”…so there is a specific reference to the meaning……. It’s a three and a half minutes-long piece, and I would strongly recommend it to you, or invite you to listen to it one more time, as we find John Norum at the very first stage of his career, and it allows us to foresee the John Norum of ‘the Final Countdown”…So it was a strong impact.

 

Enzo: «So, Ego, I understand that you are quite familiar with music, you’re a musician, a guitarist, and you tend to analyse music from a technical point of view; but I’d like to ask you: is there any piece of Europe you enjoy even though your appreciation has not mainly to do with its musical structure?

Ego: «Well, I think ‘Cherokee’ and  ‘Wings of tomorrow’ are rock pieces who, taken at a face value, present a commercial structure, but they actually display a dismaying geniality with regard to their composition or the riffs which should never be underestimated».

 

Enzo: «Ok Ego, thanks a lot for your participation in this program».

Ego: «And you! Thanks very much for the chance you gave me!».

 

8. SONG: ROCK THE NIGHT

 

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